Memorial Page for Aribert Reimann

Aribert Reimann (born 4 March 1936 in Berlin; died there on 13 March 2024) was a German composer, pianist, lied accompanist and academic teacher. The human voice, music theatre and literary sources stood at the centre of his work. Through Lear, Medea and L'Invisible, his name belongs to recent opera history.

A Berlin musical family

Reimann grew up in a musical family. His father was a church musician and director of the Berlin Cathedral Choir; his mother was an oratorio singer and singing teacher. As a child he encountered the stage, singing and piano. He later studied at the Berlin music academy, including composition with Boris Blacher and counterpoint with Ernst Pepping. At the same time he worked with voices and singers, an experience that remained formative for his music.

Song, piano and voice

Before Reimann was mainly perceived as an opera composer, he made his name as a pianist and lied accompanist. He worked with artists including Dietrich Fischer-Dieskau, Brigitte Fassbaender and Elisabeth Grümmer. This proximity to the voice did not lead to easy vocal writing, but to a precise knowledge of breath, text, timbre and physical tension. As a teacher in Hamburg and Berlin, he also treated contemporary song as a living practice.

Literature on the opera stage

Reimann's music theatre sought dialogue with literature. His sources included August Strindberg, Yvan Goll, William Shakespeare, Euripides, Franz Kafka, Federico García Lorca, Franz Grillparzer and Maurice Maeterlinck. He did not use such texts as decoration, but compressed them for voices, spaces and orchestra. His operas often work with states of psychological pressure, power, loneliness, fear and the question of how language can still be heard under strain.

Lear

His breakthrough as an opera composer came in 1978 with Lear, commissioned by the Bavarian State Opera after Shakespeare. Dietrich Fischer-Dieskau sang the title role at the premiere at Munich's Nationaltheater. The work brought Reimann's treatment of voice and orchestra into an especially concentrated form: harsh sound masses, fragile lines and a dramatic structure that traces the collapse of order and family in music.

Later works and recognition

After Lear, Reimann wrote further operas, including Die Gespenstersonate, Troades, Das Schloss, Bernarda Albas Haus, Medea and L'Invisible. In 2011 he received the Ernst von Siemens Music Prize for his life's work. The late works show a composer who held to the voice while making his musical language increasingly spare and concentrated.

Farewell

Aribert Reimann died in Berlin on 13 March 2024, a few days after his 88th birthday. His work remains connected with an art of opera that does not illustrate literature, but questions it anew through sound, breath and tension.