Memorial Page for Nikolaus Harnoncourt (née Johann Nikolaus Harnoncourt)

Nikolaus Harnoncourt (born 6 December 1929 in Berlin; died 5 March 2016 in St. Georgen im Attergau) was an Austrian cellist, conductor and musical thinker. He was one of the defining figures of historically informed performance and changed the way listeners approached early music as well as Mozart, Beethoven, Schubert, Bruckner and the Romantic repertoire.

Childhood and education

Harnoncourt was born in Berlin and grew up in Graz from the early 1930s. After the war he studied cello in Vienna and joined the Vienna Symphony Orchestra as a cellist in 1952. These orchestral years gave him closeness to the great Viennese tradition, while he was already searching for another way of making music: one more strongly oriented toward sources, instruments, language and historical sound.

Concentus Musicus Wien

In 1953 Harnoncourt married the violinist Alice Hoffelner. In the same year the two founded the Concentus Musicus Wien with like-minded musicians. The ensemble worked with historical instruments and treated early music not as museum art, but as a living, carefully researched present. After years of rehearsal, the Concentus Musicus first appeared publicly in 1957 and became one of Europe's most important period-instrument ensembles over the following decades.

Bach, Monteverdi and music as speech

Harnoncourt joined musical practice with research. Together with Gustav Leonhardt he began recording Bach's cantatas in 1972, a project that changed the perception of Bach's sacred music. Monteverdi, Handel, Rameau and Bach were not smoothed out in his hands, but made audible in their rhetorical force. His idea of music as speech made clear that notes were not a polished surface for him, but a spoken, breathing and sometimes contradictory form of expression.

Conductor of major orchestras

From the 1970s onward Harnoncourt appeared increasingly as a conductor. He worked at opera houses, at the Theater an der Wien, in Zurich, at the Salzburg Festival and with orchestras including the Concertgebouw Orchestra, the Chamber Orchestra of Europe and the Vienna and Berlin Philharmonics. His method remained recognisable: in familiar music he searched for sharpness, closeness to the text, energy and inner tension. Even in the Classical and Romantic repertoire one heard the researcher who questioned well-known works anew.

Late recognition

Harnoncourt received many honours, including the Erasmus Prize, several international music awards and the Kyoto Prize in 2005. His Vienna Philharmonic New Year's Concerts in 2001 and 2003 made him known to a very wide audience. In his later years he remained curious and productively demanding: he conducted Beethoven, Bruckner, Gershwin and Smetana with the same seriousness with which he had once approached Monteverdi and Bach.

Farewell

On 5 December 2015 Nikolaus Harnoncourt announced his farewell from the stage in an open letter. Three months later, on 5 March 2016, he died in St. Georgen im Attergau, surrounded by his family. His life's work remains connected with an attitude that understood music not as finished property, but as a question addressed to every generation of musicians and listeners.