

Swiss photographer and photojournalist
Zurich
René Groebli (born 9 October 1927 in Zurich; died 5 May 2026 in Zurich) was a Swiss photographer, photojournalist and experimental photographic author. He became known through photobooks such as Rail Magic and The Eye of Love, through reportage, industrial photography, advertising work and an unusually free use of movement, blur, grain and colour. His work is one of the important contributions to Swiss photography of the 20th century.

Groebli grew up in Zurich's Enge district. He was first drawn to film, but began photographic training and studied in 1945/46 with Hans Finsler at the Zurich School of Applied Arts. The clear and static New Objectivity suited him only partly. Between 1946 and 1948 he trained as a documentary cameraman at Central Film and Gloria Film. From this closeness to film came a way of seeing that later brought movement, framing and sequence into his photography.
In 1949, at only 22, Groebli published Rail Magic. The slim photobook shows a steam-train journey from Paris to Basel: smoke, grain, blur, speed and atmosphere shape the images. What many viewers barely understood at the time is now regarded as an early key work of the photobook. Groebli showed that photography could do more than document; it could shape rhythm and subjective experience.
In 1954 The Eye of Love appeared, an intimate series of pictures from his delayed honeymoon with his wife Rita. The book was initially controversial because it connected closeness, eroticism and everyday life with an unusual openness for its time. This is precisely where its later importance lies: Groebli did not tell a report from the outside, but a private experience in a dense, film-like sequence of images. Rita remained his artistic partner and important counterpart for decades.

In the mid-1950s Groebli left photojournalism and opened a Zurich studio for advertising and industrial photography. He specialised in colour photography and perfected the dye-transfer process. For Groebli, colour was not merely an addition; it became its own image space of glow, displacement and atmosphere. In 1957 the US Color Annual Magazine called him a Master of Color. Even in commissioned work he remained experimental.
In 1981 Groebli sold his studio and withdrew from commercial photography. After that he turned more strongly to free work, older negatives, new prints and his archive. Retrospectives, new editions of his photobooks and exhibitions in Zurich, Paris, Berlin, Vienna and Amsterdam showed how far his work extended beyond the famous early series. Into very old age he remained present through exhibitions and publications.
René Groebli died in Zurich on 5 May 2026 at the age of 98. His official memorial page honoured him as a humorous, innovative and tirelessly working artist. What remains is a body of work that fits no single category: railway mist and hotel rooms, industry and colour, reportage and experiment, darkroom and archive.