

Austrian singer and composer
4
Vienna Central Cemetery
Udo Jürgens (born Jürgen Udo Bockelmann on 30 September 1934 in Klagenfurt am Wörthersee; died 21 December 2014 in Münsterlingen, Switzerland) was an Austrian singer, composer and pianist. For decades he wrote German-language popular music that moved between schlager, pop, chanson and stage song. His best-known songs include Merci, Chérie, Griechischer Wein, Aber bitte mit Sahne, Mit 66 Jahren and Ich war noch niemals in New York.
Udo Jürgens grew up in Ottmanach in Carinthia. Music became an early space of his own: harmonica, accordion and piano accompanied his childhood, and he later studied piano, harmony, composition and singing at the Klagenfurt Conservatory. As a teenager he was already writing his own pieces and in 1950 won a composition competition held by Austrian radio with Je t'aime. The path to the stage did not begin smoothly, but with jazz, dance music, radio studio work and many appearances in cafés and clubs.
In the 1950s he performed for a time under the name Udo Bolan before adopting the stage name Udo Jürgens. Record companies initially pushed him toward light schlager material, but his musical models also included Frank Sinatra, Charles Aznavour and Gilbert Bécaud. This combination of piano, melody, stage presence and narrative song later became his own style. He did not want only to sing hits; he wanted to write songs that made a scene, an attitude or a conflict audible.
After Eurovision appearances in 1964 and 1965, Udo Jürgens won the Grand Prix Eurovision de la Chanson for Austria in Luxembourg on 5 March 1966 with Merci, Chérie. He had written the song with Thomas Hörbiger. The victory made him internationally known and opened the way to major tours, television appearances and a career that reached beyond the German-speaking world. During this period he also wrote songs such as Siebzehn Jahr, blondes Haar, Was ich dir sagen will and Immer wieder geht die Sonne auf.
In the 1970s Jürgens found a form that allowed him to bring very different themes into popular music. Griechischer Wein told of homesickness and migration, Ein ehrenwertes Haus of social narrowness, Aber bitte mit Sahne of excess and consumption, and Mit 66 Jahren of appetite for life beyond fixed images of age. His lyrics were not radical, but often more precise than the label schlager suggests. That was why they reached people who might not otherwise have listened to political song or chanson.
Udo Jürgens remained a stage worker. The white bathrobe after concerts became a trademark, but more important was the combination of piano, orchestra and direct address to the audience. Between 1967 and 2014 he played 25 concert tours; millions of people saw him live. He also remained productive in later life: the musical Ich war noch niemals in New York became a major stage success from 2007 onward, the autobiographical novel Der Mann mit dem Fagott was adapted for television, and the album Mitten im Leben appeared in 2014.
Alongside his music, Jürgens was involved as a special ambassador for the UN refugee agency and in 1998 founded the Udo Jürgens Foundation, which supports orphaned children and young musicians. On 7 December 2014 he gave his last concert before the Christmas break at Zurich's Hallenstadion. On 21 December 2014 he collapsed during a walk in Gottlieben and died at the cantonal hospital in Münsterlingen of acute heart failure. He was 80 years old. His work remains meaningful because it took entertainment seriously without making it heavy.
until 1989
until 2006