

Hungarian-American socialite and actress
Austria–Hungary
Westwood Village Memorial Park Cemetery
Zsa Zsa Gabor (born 6 February 1917 in Budapest; died 18 December 2016 in Los Angeles) was a Hungarian-American actress, singer and social figure. She appeared in films such as Moulin Rouge, Lili, Death of a Scoundrel and Touch of Evil, but became just as well known through television appearances, glamour and public wit. Her biography shows an early form of modern celebrity: film roles, talk shows, tabloid attention and self-presentation flowed into one another.
She was born Sári Gábor in Budapest, then still part of Austria-Hungary. Her mother Jolie Gabor ran a jewelry business; her sisters Magda and Eva also became known later. Zsa Zsa Gabor attended school in Switzerland and took part in the Miss Hungary competition in the 1930s. In the early 1940s she moved to the United States. In Hollywood, European salon style met a studio system that could stage elegance, accent, wit and sharp appearances effectively.
In 1952 Gabor became known to a wider cinema audience. In John Huston's Moulin Rouge she played Jane Avril, a dancer and singer from the Paris nightlife of the Belle Époque. Further roles followed in the same decade, including appearances in Lili, Death of a Scoundrel and Orson Welles' Touch of Evil. She was not an actress whose afterlife rests on one major leading role. Her effect came more from presence, voice, timing and the image of a woman who handled public attention very consciously.
Gabor understood television early as a stage. She appeared in shows, series and entertainment programs, often in roles that played with her own public persona. That made her familiar to American audiences: worldly, funny, sometimes self-ironic and always immediately recognizable. Later she was often described as someone who anticipated the idea of being famous for being famous. That is only partly true. Gabor came from film, stage and society, but she recognized earlier than many others that celebrity itself could become a role.
Her private life became a fixed part of public perception. Gabor was married several times, including to Conrad Hilton, George Sanders and later Frédéric Prinz von Anhalt. Her daughter Francesca Hilton came from her marriage to Conrad Hilton. This side of her life was often told in loud tones and overshadowed her acting work. A balanced biography should not leave it out, but should place it in context: the marriages belonged to her public image, yet they do not by themselves explain why Zsa Zsa Gabor remained present for decades.
In later years Gabor increasingly withdrew from public life for health reasons. Her name nevertheless remained shorthand for a particular Hollywood era: European glamour, American talk-show culture and a form of celebrity that could be both elegant and ironic. Zsa Zsa Gabor died in Los Angeles on 18 December 2016. Her significance lies not only in individual film roles, but in how early she understood that personality, media appearance and image could themselves become part of entertainment.
until 1941
until 1947
until 1954
until 1966
until 1967
until 1976
until 1983
until 1983
until 2016