

German lyric baritone and conductor
Weimar Republic
Friedhof Heerstraße
Dietrich Fischer-Dieskau (born 28 May 1925 in Berlin; died 18 May 2012 in Berg am Starnberger See) was a German baritone, lieder singer, opera singer, conductor, author and teacher. Few singers shaped the recording and concert history of art song in the 20th century as strongly as he did.
Fischer-Dieskau was born in Berlin and began singing early. The Second World War interrupted his training; he was drafted and became a prisoner of war. After returning, he resumed his musical work and soon appeared in Berlin. His voice was not merely a natural phenomenon. What became decisive was the connection of vocal control, awareness of language and unusual attention to poetic detail.
Especially with Schubert, Schumann, Brahms, Wolf and Mahler, Fischer-Dieskau changed the perception of lieder singing. He treated songs not as small encores, but as dramatic and intellectual spaces. With pianists including Gerald Moore, Jörg Demus, Sviatoslav Richter, Daniel Barenboim and Hartmut Höll, he made recordings that shaped generations of singers and listeners. His recordings of Winterreise became points of reference, precisely because every phrase appears as text, sound and psychological process at once.
Fischer-Dieskau was not only a lieder singer. He sang Mozart, Wagner, Verdi, Richard Strauss and contemporary music in major opera houses and concert halls. In 1962, at Benjamin Britten's invitation, he took part in the premiere of the War Requiem in Coventry. In oratorios, cantatas and Mahler cycles, too, he brought the same sharpness of text that marked his song singing. His stage presence remained concentrated rather than outwardly spectacular.
Fischer-Dieskau's discography is exceptionally large. It ranges from song cycles to opera, sacred music and rarer repertory. After withdrawing from singing in 1992, he continued as a teacher, conductor, author and draughtsman. He wrote books on music and performers, gave master classes and passed on what had defined his own singing: the exact relationship between word, breath, tone and meaning.
Fischer-Dieskau's influence is large, but not free from debate. Some admire the analytical sharpness and wealth of nuance in his interpretations; others find certain readings too controlled. These debates themselves show his importance. Later lieder singers measured themselves against him because he set standards that could be adopted, questioned or consciously left behind.
Dietrich Fischer-Dieskau died in Berg am Starnberger See on 18 May 2012. He was 86 years old. His name remains connected with an art in which the voice does not merely sound beautiful, but thinks, asks and remembers through language.
until 1963
until 1967
until 1975
until 2012