

German-born American actress and drama teacher
Uta Hagen (born 12 June 1919 in Göttingen; died 14 January 2004 in New York) was a German-American actress, acting teacher and author. She won major Broadway awards and shaped several generations of actors as a teacher at HB Studio.
Hagen was born into an artistic family. Her father Oskar Hagen was an art historian, and her mother Thyra Leisner was a singer. The family moved to the United States when Uta Hagen was still a child. After short periods of study in London and Wisconsin, she went to New York and began working professionally on stage at an early age.
In 1938 Hagen made her Broadway debut as Nina in Chekhov's The Seagull. She later played Ophelia, Desdemona, Blanche DuBois and Georgie Elgin in The Country Girl, for which she received her first Tony Award. Her best-known role became Martha in Edward Albee's Who's Afraid of Virginia Woolf?, which brought her another Tony Award.
During the McCarthy era Hagen was placed on the Hollywood blacklist. Her film opportunities were sharply reduced, and her main work remained in New York theatre. This helps explain why her influence was seen less through film roles than through stage work, teaching and books. Hagen continued to work without giving up her identity as a theatre actor.
With Herbert Berghof, whom she later married, Hagen was closely connected with HB Studio in Greenwich Village. She taught there for decades. Her method demanded precise observation, concrete circumstances and a move away from empty effects. In Respect for Acting and A Challenge for the Actor, she set out exercises and principles that were read worldwide in actor training.
Hagen received a lifetime achievement Tony Award in 1999 and remained present on stage and in teaching into old age. Many well-known performers studied with her, but her real significance did not rest on a list of famous students. It lay in presenting acting as repeatable, testable work on truthfulness, behaviour and situation.
Uta Hagen died in New York on 14 January 2004. She was 84 years old. Her memory is tied to American theatre, rigorous acting instruction and work that translated stage practice into clear exercises that could be passed on.
until 1948
until 1990